This is the third and final segment of my recent conversation with author Laurie Winer regarding her book Oscar Hammerstein II and the Invention of The Musical, recently released in paperback.

Today our discussion centers on the second half of Hammerstein’s remarkable partnership with Richard Rodgers, including the creation of their musicals South Pacific, Me And Juliet, The King And I, Pipe Dream, and The Sound Of Music. If you missed the first two parts, you may want to catch up with those before listening to this one.

Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books.

How to become a PATRON of Broadway Nation!

This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patrons Gary Fuller and Randy Everett.

For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

https://broadwaynationpodcast.supercast.tech/

Thank you in advance for your support!