Returning to acting after a hiatus can
feel like standing at the base of a
mountain wondering
where to start the climb.
Now, whether you took a break to focus
on family, another career, or you
simply needed time for yourself, re
entering the profession can seem daunting.
The good news is that you are not
starting from scratch
your building on your previous
experience.
On today's episode, I'm going to give
you a step by step guide to help make
your reentry manageable.
And dare, I say, even exciting?
This is casting actor's caste.
Well, hello, and welcome to today's
episode of casting actors cast.
I'm Jeffrey Dresbach.
I am a casting partner with McCorkle
casting in New York.
How are you?
I hope you haven't a good day.
I'm really looking forward to this
information today about reentering the
career.
If you've been away for a while, I
think you're going to find these eight
steps extremely helpful
as you contemplate
jumping back into the profession.
But first, this is that moment of the
podcast where I get to say thank you so
much for tuning in to gazing actors
guest.
I am so grateful to all of you who have
written to me, who've left a review or
thumbs up, or shared it with another.
It means so much to me.
After all, I don't ask for anything in
the podcast.
These are all free.
You can just kind of it cost you your
time, I guess.
But I believe that this is providing
information
that is really helpful.
And I don't think today is going to be
any different, at least my ego is
telling me that it's not.
So, thank you for tuning into casting
actors.
Cas, I invite you to check out the
website, casting actors cask all one
word com.
You find all kind of information on the
website.
You're going to find that my new book
jeff's jots is available right now
jeff's jots, the actor's career
playbook, on Amazon, but there's a link
on the website.
I invite you to check that out.
I think you're going to find that
really helpful.
Also, there's a little form on that
landing page that says, dive into the
talent pool.
And if you do that that's going to just
open up a whole bunch of stuff for you
as a free video casting secrets, what
they don't tell you.
But it's also
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hosting, a book called conversation
pieces out of the studio, the voice
over workshop for professional actors.
Also there is a blog and a
corresponding show, notes downloadable
for you that corresponds to each of
these episodes.
So as I give you a lot of this
information today, you might want to
have kind of a sheet to use as a
reference point or something to go back
to.
Because today it's going to feel a
little bit like a checklist, I think.
All right.
So once again, thank you so much for
being here.
Let's jump into this subject, shall we.
So I have these eight steps, these eight
in this order, I would ask that you
think about these.
Just working on them in a slow,
methodical pace, I believe, is
something that's going to really help
you feel comfortable and confident
about jumping back into the profession.
So let's start with number one.
Number one,
reflect on your why.
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So before diving back in, I think it's a
really good idea to take some time to
reconnect with why you want to act again.
What drew you to acting in the first
place?
What was that singular event
in your life
that made you say,
I want to do more of this?
The reason why that's really helpful, I
think, is because it gets those juices
going again.
It gets the emotional
to what it is to being a performer
back in the forefront of your brain.
And that's why, I think it's really
helpful.
It could have been the thrill of
performing, or it could have been just
the fact that you're a storyteller,
that connection with other actors,
connection with people in the industry,
that's a big motivator as well.
So connect with your why.
Then it's important to think about
what's motivating your return.
Now,
why are you coming back in?
Why is this something that you're
interested, excited wont to do?
It could be whether it's reigniting a
passion, for example, or it could be
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just exploring
untapped potential.
You see, I think understanding your why
will ground you and fuel your journey
forward.
I think it's
valuable to think of it as you're
creating your north star.
It will guide your decisions and help
you stay focused when things feel a
little bit overwhelming.
So start with your why.
Step number two, I think in order, this
is most helpful.
Start with self assessment.
Self assessment.
So after time away,
it's kind of natural to wonder if your
skills are still sharp, or if kind of
you feel like you've fallen behind a
little bit.
But let me tell you something.
This is a secret.
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No one expects perfection on day one.
I promise you.
It's not expected that you have to jump
right in with both feet and feel fully
accomplished.
That just doesn't make sense.
So don't put yourself
through that struggle.
Here's what you can do.
Revisit old work.
Watch your past performances, or review
your portfolio to see how far you've come
and where you might want to grow.
Did you like out my voice?
Read up really high there.
But how you want your future
to go as it relates to participating in
the business?
I think there's value in identifying
strengths and areas to refresh.
Here's an example.
Maybe your improv skills are really,
really good, and you feel confident
about that.
But you might need to brush up on
camera techniques
or monologue work.
A little self awareness, I think can go
a long way.
All right.
Moving on from there.
Step number three,
update your tools.
Now you probably knew this was coming,
but your headshot and resume are your
calling cards in the industry.
So honestly, it's valuable to make sure
they reflect who you are today.
Please do not be concerned about that
space between gigs,
then versus.
Now,
who you are today is how you're going
to be cast.
live in that past angst.
And that, as we talk about the tools,
for example, headshots,
invest in professional headshots that
showcase the role you're targeting now.
So as you're watching film or watching
television, or you're watching theater,
where do you see yourself now?
You see your look
may and probably likely has evolved,
right?
So it's important that casting
directors see the current you
next is your resume,
update your credits, and remove
anything outdated or unrelated.
What I mean by unrelated, by the way,
are roles
that you probably aren't going to be
playing.
Now,
I know that's a tough one for a lot of
you.
If you've been away for a long period
of time, and you were in azureneu and
now you're a character actor, that can
be pretty challenging.
So I'm not asking you to kind of charge
ahead and just remove everything that
you wouldn't be gasped in.
But I would love for you to frame it
and look at it in such a way that makes
sense to a casting director looking at
it now, it could be an amazing director
that you worked with.
That's great.
It could be a cool theater that you've
worked with.
It could be
a network
gig, a network television show that you
were in at that time.
All of those things are giving me
information about your level and where
you are at in your career.
So I don't want you to throw all of it
out, but really
use a discerning eye.
That's a good way to say it.
So that if there's a gap, for example,
I don't want you to stress.
I think there's more value to focus on
the skills and experience that you
bring to the table
today.
And I've always mentioned to actors
that they really should spend some time
bingeing some shows of film.
And television is where you want to be
at.
Find those shows that you say to
yourself, gosh, I could play that role.
That's really helpful, because then you
can do a little research, you can look
up who the casting director is, and you
can see the kind of writing that's
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taking place today,
because it's different than it was ten
years ago, twenty years ago.
So there's value in looking at what's
coming over the air now, so to speak,
and where you see yourself in that
place.
Ok?
Another tool is a demo real.
Now listen, if you don't have recent
footage
chill out it's ok.
Consider you could certainly film new
material.
Now, even self tapes,
really well produced self tapes, but
you don't want to call it a demo reel
or a show reel.
You want to say, here are some recent
auditions as a self tape that could go
on your website, for example.
Or if an agent might be interested in
working with you and they say, do you
have any tape?
You would just simply say, I have
an example of myself tapes that would
probably help you to see how I look on
camera.
You see what I'm saying?
Because the skill set of having a good
self tape goes a long way with agents
today.
And so if you've got a really well
produced self tape, that's going to
help that agent make the decision to
want to work with you, because they
don't have to teach you.
You already know
good.
All right, just simply remember that
you're presenting yourself as you are now
authentic
and ready to work.
Moving on from there.
Four, this is reconnect with training.
You see, I think acting is like a
muscle.
It gets stronger the more you use it.
So if you've been out of practice, it's
just a matter of jumping back into
training to rebuild your confidence and
refine your craft.
How do you do that?
Well, you take a class,
you look for workshops or ongoing
classes in areas like scene study, on
camera, technique or even voice work.
Not only will you sharpen your skills,
but you'll also meet other actors and
start rebuilding
your network.
Network.
Network network,
I think there's value also,
to work on your own,
read plays,
work on your monologues.
You should have two or three monologues
in your back pocket.
Anyway,
why not look for some new monologues,
some fresh material, or put that
monologue on a self tape?
When you do self tapes
for yourself,
you're really honing several skills at
once.
One is you're getting your confidence
boost.
The two is that you're seeing and
correcting and working on how you are
being seen.
And that is nothing but invaluable for
your own confidence level, like I said,
but also the future relationships that
you might have with representatives
like agents and managers.
So
consistent practice, I think, will help
you regain
your rhythm.
And I also think might want to consider
exploring something new.
Try a class outside your usual
wheelhouse.
For example,
improv is really useful,
just to maybe a movement class, or even
a voice over class.
It's a great way to expand your range.
And,
I don't know, rediscover the fun of
acting.
This should not be thought of as a
burden.
This should be an exciting time for you.
And keep that perspective
as you start ticking off some of these
items I'm sharing with you today.
Next item
we're going to talk about, rebuild your
network.
And we're going to cover that right
after this.
Welcome back.
So this is number five, rebuild your
network.
Your network is a key part, I think,
for re entering the industry.
Reaching out can feel very, very
intimidating.
I know that, but most people are more
supportive than you might expect.
So it's a matter of reconnecting with
old contacts.
Perhaps you already have a LinkedIn
page.
Maybe you have some socials that you're
already doing or performing.
That might be
the time to announce your return.
I would suggest reaching out to former
teachers.
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Maybe there are some agents you worked
with in the past,
maybe some casting directors, or even
fellow actors,
let them know that you are back and
you're eager to work.
A quick email or coffee meeting can
really open a lot of Doors.
In addition to that I suggest that you
join the community more, feel more
connected to the community
by attending industry events
like workshops or networking nights.
Being present in the acting community
will absolutely help you feel plugged
back in, and that's not only good for
you, but that's good for people in the industry.
Now I mention social media platforms
like Instagram and LinkedIn they're all
really powerful tools for sharing your
journey.
I think it's a good idea to post
updates about your return,
your training, or
maybe something new to help announce
you coming back into the profession,
or whatever projects you get or might
be working on to stay visible.
You see, in my view, networking is
about relationships,
not just opportunities.
So does that make sense?
I hope that makes sense.
And relationships
that are worth anything take time.
So please don't just think of a casting
director as a potential opportunity for
a job.
Don't think of an agent as a potential
opportunity for an audition.
Those things are not
as helpful to you
as thinking in terms of what the
relationship means to you.
So I think if you approach it with
authenticity
and patience, of course, makes a lot of
sense.
Now I'm going to move to item number
six,
start small
and build momentum.
If jumping straight back into auditions
feels a little overwhelming,
I suggest you ease in.
Take some smaller steps,
background work, or indie projects.
You know, those smaller projects that
might be out there and available in
your area.
Now, these can help you absolutely
rebuild confidence and refamiliarize
yourself with being on a set.
And you know, that industry vibe that
might be happening now, that maybe
wasn't there when you were in it.
Last
the other self tapes.
Practice auditioning at home,
treat your material that you're
auditioning with as if it's an actual audition.
That'll help shake off the rust and
help you get comfortable in front of
the camera again.
That's extremely
important.
Now, if you've not done any self tapes,
now's the time to perhaps take a class.
It's been my experience,
that a lot of actors, because I see a
lot of self tapes,
a lot of actors think they know what
they're doing.
And I hate to break it to those of you
who are doing self tapes.
If you haven't had some kind of more
formal instruction,
there might be some elements to
yourself tape that are kind of not
helping you in your audition.
So if you're re entering the
profession, now is a good time to take
a class in self tape.
Study what others are doing.
There's all kinds of stuff and
references online.
I've certainly done several podcasts on
self tape.
So you might want to consider going
back into the archives.
But anyway, back to those
opportunities.
Now, as you start easing yourself into
the profession, I think student films,
or even community theatre, is a really
good idea.
Because these opportunities
can help you build new credits, and it
can actually create fresh material
that you'll be working on, even for
you're real.
Think of it this way,
every step
counts, whether it's a big step or a
small step.
Don't underestimate the power of
gradual progress.
Ok, just a couple more.
Number seven, adjust your expectations
please.
Now it's absolutely easy to compare
your current situation to where you
left off, or where others are in their
careers.
But please remember, everyone's journey
is unique.
So give yourself grace
if auditions don't go perfectly at
first, you know what that's?
Ok?
I really mean it.
Growth comes with time and persistence.
I can also tell you, in my experience,
casting in general,
is very forgiving
and grateful for those actors that have
been away and now are coming back.
Because there is a gosh, eh, here's a
good word.
A plethora.
Come on.
That's a good word of material that is
going to be on the air in the next few years.
All of the streaming service ours,
streamick services, excuse me, they are
putting a lot of money into new
product.
So this is an excellent time for that.
Focus on the process,
not the outcome.
It's the journey, not the destination.
I think it's really helpful for you, if
you enjoy the creative work and trust
that opportunities are going to come as
you stay.
Here's the word consistent.
Finally, number eight, stay positive
and resilient.
Re entering.
Acting can be emotionally taxing,
but please don't be a victim to that
emotion.
Maintaining a positive mindset will
definitely make the process feel more manageable.
How does it feel manageable?
We'll simply celebrate small wins.
You got an audition,
great.
You worked on a monologue and you
nailed it.
Great.
I think it's valuable for you to
acknowledge
every step forward.
Find support
surround yourself with people who
understand your journey.
Extra support groups, friends, or even
a coach, can help keep you motivated.
Also keep perspective.
Remember that taking a break wasn't a
setback.
It was part of your path, your
returning with a fresh life experience,
which can enrich your work as an artist.
I also think if you set clear goals and
you have a road map, it's going to make
your return feel intentional and
absolutely less overwhelming.
Short term goals,
examples include booking your first
audition back, updating your materials or
pleading a class.
And then there are those long term
goals.
Think about the type of roles, projects
or career milestones you would like to pursue.
Break them into actionable steps.
That's going to serve you.
Goals give you direction and a sense of
achievement as you check them off.
I think it's also important, as we
close today, is to Embrace the journey
most importantly,
remember why you fell in love with
acting.
This isn't just about booking jobs or
building a resume.
It's about storytelling.
It's about creativity,
it's about connection,
enjoy the process.
Acting is as much about the journey as
it is about the destination.
Trust your instincts.
You've returned for a reason.
Trust that you belong here and have
something valuable to offer.
So here's my final thought.
Returning to acting isn't about
catching up
or proving yourself
honestly.
It's about stepping back into the world
of creativity on your own terms.
By taking deliberate,
manageable steps,
you can make your reentry into the
profession feel exciting rather than overwhelming.
Listen.
You've already shown courage by
deciding to come back
and to finish this odd guest.
So if you've been listening, I suggest
that now it's time to let that passion shine.
I'm Jeffrey dries back, break a leg.
This is casting actor's cast