This transcript was automatically generated and might contain errors.

[0:15] Mike Abrams: Welcome to The Wrong Cat Died, the podcast breakdown of the cat's atrophy. I'm your host, Mike Abrams, and today we have another amazing guest. We have been working with the Perelman Performing Arts Center reimagined production of CATS called CATS: The Jellicle Ball to bring you a series of episodes during the run. I am honored to have Antwayn Hopper here with me today. You might have seen him in A Strange Loop, and you should definitely run to the PAC to see how Antwayn portrays Macavity in this production because it is a little different, and I am excited to hear the take on it. So welcome, Antwayn, thank you for joining me.

[0:47] Antwayn Hopper: Yes, wait, can I just do one clack? Let's, yeah, oh yeah, ready to go. The merch is incredible for the show.

[0:56] Mike Abrams: Thank you. Yeah, that clack for those who are listening, that's the sound of a purr Jellicle Cats Come Out Tonight fan that you can purchase at the Perelman Arts Center when you come see us in CATS. You have to come see it because it is the talk of the town right now. So let's start, let's start at the beginning. I want to know because you obviously are cast as Macavity and you're, you know, you're a Broadway person. You've been in a couple of Broadway shows. How much CATS knowledge did you have before this production?

[1:33] Antwayn Hopper: You want to know something? The only knowledge that I really had was when I was like 13, 14, as we all were in that lovely world of community musical theater, I would listen to CATS, A Chorus Line, Sunset Boulevard, the list goes on. And that's as far as my knowledge goes. I was just familiar with the music. I knew that in my head, I wanted to be a Broadway dancer. So, you know, we all wanted to do like the little bit of CATS choreography that we could do. But I never actually got to see it.

[2:10] Mike Abrams: So you never saw it. You didn't know. So, so you're going in with pretty much a blank slate besides knowing some of the music and probably a little of the dance.

[2:16] Antwayn Hopper: I went in with a blank, clean slate, which is the best way for an actor to enter a process.

[2:21] Mike Abrams: Yeah. I love it. So then let's talk about starting that process because Macavity is essentially the villain and has this like very interesting storyline in the, you know, in the musical productions that, you know, that people have known for 45 years, but your version is a slightly different take. And so I would love to hear how you helped kind of work with, you know, Bill and Jalen and everybody to craft how Macavity is a little bit different in this production. And I thought in a really cool way.

[2:52] Antwayn Hopper: Well, I have to first say thank you so much to Lord Andrew Lloyd Webber for agreeing to, as a reviewer put it, Macavity's plotlet that has been answered for the first time in its history. And I can tell you, Andrew Lloyd Webber, he said, fantastic. And I gagged, you know, he came to see us, yeah, I think two days ago. But all to say, it started with the workshop in October. It could have actually started with my audition as I sang My Way or the Highway from The Life. And I was very much relentless in my red suit, which is labels. I was relentless when I sang that. But what I was really after was showcasing all the emotions that a person can bring to a song that's vilified. And so I actually did this and, you know, smiled and tried to emote to sadness as well as.

And from there, when I got cast as Macavity in October, Jalen and Bill, that was the first thing we talked about is how we can not vilify Macavity because it's a black man playing Macavity. And I told them, I don't I'm not interested in that. I'm not interested in that weight eight times a week. I'm interested in a hero's journey.

[4:18] Mike Abrams: Yeah. And it's really cool because you're in the labels category that which is like for anybody that hasn't seen it. I can't I don't think we're spoiling at this point. It's been over a month now, but don't you spoil that moment, honey?

[4:35] Antwayn Hopper: OK, not for the moment, but I loved it because I think the Macavity song is so fun. It's one of my favorites in the whole show, but I've always found the Macavity storyline to be this like, as you said, vilified, you're going to be doing the part where you're the one that's stealing Old Deuteronomy. And it's supposed to be always this like, you know, and I never felt Macavity's actual story is that like he's part of the tribe and he wants to be part of the tribe. So I liked your version of having that as being like you're part of the competition. You're in the labels category. I got a little like Canal Street in New York vibe, which I loved because it's like not it's not villain, but it's a part of it's it's a scene.

It's a part of town and it's part of this like it's kind of flirting the lines of what's legal. And that, to me, amplified Macavity's story even more because it brought much more of this like, I'm part of the family, but maybe I'm the part of the family that's doing some things that are like questionable in the scheme of legality.

[5:43] Antwayn Hopper: Well, in the world of ballroom as Father Omari Orici, which was his idea to have Macavity walk labels. I got to just say a big shout out to Omari. Omari really was the person to say this would do that. This would do that because he is ballroom. Yeah. OK. And as well as Arturo, the engineer. Now, I will say as when I first started, I was really big on it and no one hate me. I'm going to just speak from the heart. I was really big on him being masculine and strong. I wanted to build him off of my father, who did three tours in wars. And I was born in Wiesbaden, Germany. I'm a military. I like to pay homage to those that raised me in every character I do. And it's normally based off my dad or my brother, like The Life was based off of my brother.

And this one I wanted to base off my father. And so we tried to do a militant aspect or, you know, very strong. He's the arm. He's security. Yeah. We tried to base him originally off of a fallen angel in New York City. If anyone knows the history of New York City and the LGBTQIA back in the day, we had a group called the Fallen Angels. They would wear berets and they would make sure that those less fortunate to be able to defend themselves can make it safely from the subway to wherever they're going. Yeah. And that's what I wanted to do. But I wanted to say we all do tricks in the cast of CATS, but the rule is don't get caught. And that's why I was banished by Old Deuteronomy. The Old Deuteronomy knows we all do tricks. Mungojerry, they steal trophies. They do this. They do that. I mob.

[7:31] Mike Abrams: Yeah. That's so interesting because there is a confidence that you're bringing. Like it's a, you know, you're obviously you're a tall guy to begin with. So you bring this kind of like aura to it. So it's cool to hear how you crafted that story with a personal piece that you can bring to your character because you can feel that energy when you're on stage and when you're honestly not even just on stage. You do a lot of the stuff on the sides and kind of like in the crowd and working your way around the whole set. And I thought that that was a really cool moment. I sat at a table at the cabaret and I'm like, are you behind me at one point? Like I'm looking around me like, where is Macavity right now? You know, you're supposed to be the devious one.

[8:20] Antwayn Hopper: Mischief, mischievous one. Yeah. I call it I'm just emotional and I have a lot of heart.

[8:26] Mike Abrams: Yeah. So when you crafted, obviously, this is kind of like the backstory in the like how you want to portray Macavity. Yes. Did you all talk about or did you think about what the rest of his story is within the tribe or within just the general world that you're living in?

[8:46] Antwayn Hopper: Well, I love you call it a tribe. As you know, my Instagram at Antoine Hopper, the followers were called a tribe because my debut was Hair on Broadway with Diane Paulus and we were a tribe. Yeah, that's exactly what Bill, Jalen and I spoke about. It's a tribe. There is no outsiders in this tribe. The ballroom scene, they are a tribe. That's why Leomi created the thing called Nogging because everyone thinks they can vogue. But no, no, no, no. In the scene that's called Nogging rules. You know what we did? And I'm very musical. You know, it's Carnegie Mellon musical theater major. I started from I said, oh, my God, he's running from the cops. Perfect. So I said, Jalen, Bill, can I play? This was day two of the workshop in October.

I said, all I need is Demeter and Von Ballerina upstage and a door and a bag. They were like, I said, just give me a bag. So I said, let's start. Start the music. Police, police, police, police, police. I run it. And that was the first beat. And from there we built. And I thought there's three instances. The first one, I'm bringing Demeter's outfit. Second one, Von Ballerina. The third, me. So then knowing that I walk labels, the story started to progress. And then I started thinking of those that came before me, like Kevin Ambiance. I'm a butch queen. I said, he doesn't have to be militant or he can still be militant, but it's going to be me. And that's where my Macavity came. And it's actually the first time where I'm able, other than A Strange Loop, I can give a little bit of Antoine in the character. So I'm thankful for that.

[10:46] Mike Abrams: Yeah, that's got to be so fun to be able to have this, like to bring you and feel like I have one thing I've loved about CATS. And as I've talked to more of your cast is it seems like the casting team and the whole creative team really cast people where your cat is partially your character, like it's you as a person. And I think that's fun because there's so many times that you see there's, you know, you're actors, you're paid to perform and this is your job and you are all talented and skilled to portray something that's maybe not you, right? Like that's what you're being paid to do and the skill you all have. But to be able to do a version that's kind of also like you has to be fun, right?

Like, and that's what I've loved about seeing your cast is it feels even more authentic because it feels very much of a, you know, like we talked to Emma recently and Emma, I mean, Emma is, it's a full Emma and her two cats. And so that's really kind of cool to be able to see you be able to bring you to Macavity and not just it being acting.

[11:48] Antwayn Hopper: And I think with that being said, we all know Andrew Lloyd Webber is the undisputed King of musical theater. I feel seen by an art form I studied. And for so long I felt that I needed to avoid certain shows such as CATS because I was like, I can't be Old Deuteronomy. That's the only black character that I knew. I was Old Deuteronomy, Ken Page. So now, oh no, honey, you can be in CATS too.

[12:17] Mike Abrams: Yeah. No. And I think that that as CATS has evolved, cause you know, I think there was for it's 45 plus years old or whatever at this point. And I think at times it was very much a, you need to be this body type or height or, or some type of, you know, they had it. And now they're a little bit, I think they're realizing that, that it's more about the personality and the portrayal.

[12:42] Antwayn Hopper: I think the biggest thing for me is that Macavity is often portrayed as this one-dimensional villain, and I wanted to bring more depth to him. In this production, we really explore his backstory and motivations, which I think makes him more relatable and complex.

[13:09] Antwayn Hopper: One of the things that I worked on was how to incorporate voguing into my portrayal of Macavity. It’s a style that really fits the character, and I had to learn how to express that through movement. It’s been a fun challenge to blend that with the more traditional aspects of the role.

[13:34] Antwayn Hopper: The relationships that Macavity has with the other characters are also really important. In this version, you see how he interacts with the other cats, and it adds layers to his character. He’s not just a villain; he has connections and history with them.

[13:54] Antwayn Hopper: I think it’s interesting to look at the different "Houses" that each cat belongs to in this production. For example, Macavity has ties to certain cats that you might not expect, which adds to the intrigue of the story.

[14:21] Antwayn Hopper: We’ve really tried to create a sense of community among the cats, and that’s reflected in how they relate to one another. It’s not just about the competition for the Heaviside Layer; it’s about their shared experiences and struggles.

[14:41] Antwayn Hopper: I also think that the music and choreography in this production really enhance the storytelling. Each number is designed to highlight the unique traits of the characters, and it helps the audience connect with them on a deeper level.

[15:01] Antwayn Hopper: The energy in the rehearsal room has been incredible. Everyone is so passionate about bringing their characters to life, and it’s inspiring to see how we all contribute to the overall vision of the show.

[15:21] Antwayn Hopper: I’ve been really fortunate to work with a talented cast and creative team. Their insights and feedback have helped me grow in my role as Macavity, and I feel like we’re all on this journey together.

[15:31] Antwayn Hopper: I think audiences will be surprised by the depth of the characters in this production. It’s not just a retelling of the same story; we’re really digging into what makes each cat unique and why they deserve to be heard.

[15:41] Antwayn Hopper: I’m excited for people to see how we’ve reimagined Macavity’s character. I think they’ll find him to be more than just a villain; he’s a complex figure with his own struggles and desires.

[15:51] Antwayn Hopper: The themes of community and belonging are really central to this production. It’s about finding your place in the world and understanding the connections you have with others.

[16:01] Antwayn Hopper: I hope that audiences leave the theater feeling a sense of connection to the characters. Each cat has their own story, and I think that resonates with people on a personal level.

[16:11] Antwayn Hopper: I’ve also enjoyed exploring the physicality of Macavity. His movements are fluid and powerful, and I’ve had to find a balance between grace and strength in my portrayal.

[16:21] Antwayn Hopper: The visual aspects of the show are stunning as well. The costumes and set design really bring the world of the Jellicle cats to life, and it enhances the overall experience for the audience.

[16:41] Antwayn Hopper: I think it’s important to remember that while Macavity may be seen as a villain, he’s also a product of his environment. Understanding that adds a layer of empathy to his character.

[17:01] Antwayn Hopper: I’ve been really inspired by the other actors in the cast. Their interpretations of their characters have pushed me to think differently about my own performance and how I can contribute to the ensemble.

[17:21] Antwayn Hopper: I think the audience will appreciate the fresh take on the story. It’s a blend of the familiar and the new, and I believe it will resonate with both longtime fans and newcomers alike.

[17:41] Antwayn Hopper: I’m looking forward to seeing how audiences react to the show. It’s always exciting to share something you’ve worked hard on with others and see their responses.

[18:01] Antwayn Hopper: The rehearsal process has been a journey of discovery for me. Each day brings new challenges and opportunities to grow, and I’m grateful for the experience.

[18:11] Antwayn Hopper: I think that’s what makes theater so special—the ability to connect with others through storytelling. It’s a shared experience that can evoke a wide range of emotions.

[18:21] Antwayn Hopper: I’m also excited about the conversations this production will spark. It’s important to discuss the themes and messages within the story and how they relate to our lives today.

[18:31] Antwayn Hopper: I hope that people come away from the show feeling inspired and uplifted. There’s a lot of heart in this production, and I think it will resonate with many.

[18:41] Antwayn Hopper: I’m really proud of the work we’ve done as a cast and crew. It’s been a collaborative effort, and I think that shows in the final product.

[18:51] Antwayn Hopper: I can’t wait for everyone to see it. It’s been a labor of love, and I think it’s going to be a memorable experience for all involved.

[19:01] Antwayn Hopper: The journey of bringing Macavity to life has been incredibly rewarding. I’ve learned so much about myself as a performer and as a collaborator.

[19:09] Antwayn Hopper: I think that’s what makes theater so powerful—the ability to grow and evolve through the process. Each performance is an opportunity to learn and connect with the audience.

[19:19] Antwayn Hopper: I’m excited to share this version of CATS with everyone. It’s a unique interpretation that I believe will leave a lasting impression.

[19:29] Antwayn Hopper: I think the audience will appreciate the depth and complexity of the characters. It’s not just about the spectacle; it’s about the stories we tell and the connections we make.

[19:37] Antwayn Hopper: I’m looking forward to seeing how the audience engages with the material. It’s always fascinating to witness their reactions and interpretations.

[19:47] Antwayn Hopper: I hope that this production encourages people to think about their own lives and the relationships they have with others. It’s a reflection of our shared humanity.

[19:57] Antwayn Hopper: I think that’s what makes theater such a vital art form—it has the power to spark conversations and inspire change.

[20:07] Antwayn Hopper: I’m grateful for the opportunity to be a part of this production. It’s been a transformative experience, and I can’t wait to see where it takes us.

[20:17] Antwayn Hopper: I think the audience will leave the theater with a renewed sense of hope and connection. That’s what we strive for as artists.

[20:27] Antwayn Hopper: I’m excited to see how this production resonates with people. It’s a story that’s been told before, but we’re bringing a fresh perspective to it.

[20:37] Antwayn Hopper: I hope that everyone who sees the show feels a sense of belonging and connection to the characters. That’s what it’s all about.

[20:45] Antwayn Hopper: I think that’s the beauty of theater—it has the ability to bring people together and create a sense of community.

[20:55] Antwayn Hopper: I’m looking forward to sharing this journey with the audience. It’s a collaborative effort, and I think that’s what makes it so special.

[21:05] Antwayn Hopper: I hope that people come away from the show feeling inspired and uplifted. That’s the goal of any production.

[21:13] Antwayn Hopper: I’m excited to see how this version of CATS unfolds. It’s a unique interpretation that I believe will resonate with many.

[21:23] Antwayn Hopper: I think the audience will appreciate the depth and complexity of the characters. It’s not just about the spectacle; it’s about the stories we tell.

[21:33] Antwayn Hopper: I’m looking forward to seeing how the audience engages with the material. It’s always fascinating to witness their reactions.

[21:41] Antwayn Hopper: I hope that this production encourages people to think about their own lives and the relationships they have with others. It’s a reflection of our shared humanity.

[21:51] Antwayn Hopper: I think that’s what makes theater such a vital art form—it has the power to spark conversations and inspire change.

[22:01] Antwayn Hopper: I’m grateful for the opportunity to be a part of this production. It’s been a transformative experience, and I can’t wait to see where it takes us.

[22:09] Antwayn Hopper: I think the audience will leave the theater with a renewed sense of hope and connection. That’s what we strive for as artists.

[22:19] Antwayn Hopper: I’m excited to see how this production resonates with people. It’s a story that’s been told before, but we’re bringing a fresh perspective to it.

[22:29] Antwayn Hopper: I hope that everyone who sees the show feels a sense of belonging and connection to the characters. That’s what it’s all about.

[22:37] Antwayn Hopper: I think that’s the beauty of theater—it has the ability to bring people together and create a sense of community.

[22:47] Antwayn Hopper: I’m looking forward to sharing this journey with the audience. It’s a collaborative effort, and I think that’s what makes it so special.

[22:57] Antwayn Hopper: I hope that people come away from the show feeling inspired and uplifted. That’s the goal of any production.

[23:05] Antwayn Hopper: I’m excited to see how this version of CATS unfolds. It’s a unique interpretation that I believe will resonate with many.

[23:15] Antwayn Hopper: I think the audience will appreciate the depth and complexity of the characters. It’s not just about the spectacle; it’s about the stories we tell.

[23:25] Antwayn Hopper: I’m looking forward to seeing how the audience engages with the material. It’s always fascinating to witness their reactions.

[23:33] Antwayn Hopper: I hope that this production encourages people to think about their own lives and the relationships they have with others. It’s a reflection of our shared humanity.

[23:43] Antwayn Hopper: I think that’s what makes theater such a vital art form—it has the power to spark conversations and inspire change.

[23:53] Antwayn Hopper: I’m grateful for the opportunity to be a part of this production. It’s been a transformative experience, and I can’t wait to see where it takes us.

[24:01] Antwayn Hopper: I think the audience will leave the theater with a renewed sense of hope and connection. That’s what we strive for as artists.

[24:11] Antwayn Hopper: I’m excited to see how this production resonates with people. It’s a story that’s been told before, but we’re bringing a fresh perspective to it.

[24:21] Antwayn Hopper: I hope that everyone who sees the show feels a sense of belonging and connection to the characters. That’s what it’s all about.

[24:29] Antwayn Hopper: I think that’s the beauty of theater—it has the ability to bring people together and create a sense of community.

[24:39] Antwayn Hopper: I’m looking forward to sharing this journey with the audience. It’s a collaborative effort, and I think that’s what makes it so special.

[24:49] Antwayn Hopper: I hope that people come away from the show feeling inspired and uplifted. That’s the goal of any production.

[24:57] Antwayn Hopper: I’m excited to see how this version of CATS unfolds. It’s a unique interpretation that I believe will resonate with many.

[25:07] Antwayn Hopper: I think the audience will appreciate the depth and complexity of the characters. It’s not just about the spectacle; it’s about the stories we tell.

[25:24] Antwayn Hopper: I think the biggest thing for me was really diving into the character of Macavity and understanding his motivations. In this production, we’ve taken a slightly different approach to his storyline, making him more complex and layered than just the villain.

[25:51] Antwayn Hopper: I had to learn voguing for the role, which was a fun challenge. It’s not something I had done before, but it really fits the character and adds a unique flair to the performance.

[26:16] Antwayn Hopper: The relationships that Macavity has with the other characters are also crucial. We’ve worked to establish a deeper connection between him and the other Jellicle cats, which adds more depth to the story.

[26:41] Antwayn Hopper: Each cat in this production is part of a specific House, and it’s interesting to see how those dynamics play out. For example, Macavity has ties to the House of Mistoffelees, which creates an intriguing tension between them.

[27:06] Antwayn Hopper: I think it’s important to remember that while Macavity is often seen as the antagonist, he’s also a product of his environment and experiences. That’s something we’ve really explored in this version.

[27:31] Antwayn Hopper: The Jellicle Ball itself is such a vibrant and chaotic event, and Macavity’s presence adds to that energy. He’s not just a shadow lurking in the background; he’s actively engaging with the other cats.

[28:00] Antwayn Hopper: I’ve enjoyed the process of building this character and finding ways to make him relatable, even if he’s not the hero of the story.

[28:25] Antwayn Hopper: The choreography has been a huge part of that as well. It’s allowed me to express Macavity’s personality through movement, which is something I really love.

[28:50] Antwayn Hopper: I think audiences will be surprised by the depth we’ve given to Macavity in this production. It’s not just about being the bad guy; it’s about understanding why he is the way he is.

[29:00] Antwayn Hopper: The creative team has been incredibly supportive in helping me explore these nuances, and I’m grateful for that.

[29:10] Antwayn Hopper: I also think the music plays a significant role in shaping Macavity’s character. The score is so powerful and really enhances the emotional weight of the scenes.

[29:20] Antwayn Hopper: I’ve had a lot of fun experimenting with different interpretations of the songs and how they relate to Macavity’s journey.

[29:30] Antwayn Hopper: It’s been a collaborative effort, and I think that’s what makes this production stand out.

[29:40] Antwayn Hopper: We’re all bringing our unique perspectives to the table, and it’s exciting to see how that translates on stage.

[29:50] Antwayn Hopper: I’m really looking forward to sharing this version of Macavity with audiences. I think they’ll walk away with a new understanding of the character.

[30:00] Antwayn Hopper: The feedback we’ve received during rehearsals has been overwhelmingly positive, which is encouraging.

[30:10] Antwayn Hopper: I think people are going to appreciate the fresh take we’ve given to the story and the characters.

[30:20] Antwayn Hopper: It’s a testament to the talent of the entire cast and crew that we’ve been able to create something so special.

[30:30] Antwayn Hopper: I’m excited for everyone to see how we’ve reimagined the Jellicle Ball and the dynamics between the cats.

[30:40] Antwayn Hopper: It’s a celebration of individuality and community, and I think that resonates with a lot of people.

[30:50] Antwayn Hopper: Ultimately, we’re all just trying to find our place in the world, and that’s a theme that runs throughout the show.

[31:00] Antwayn Hopper: I hope audiences leave feeling inspired and connected to the characters in a new way.

[31:10] Antwayn Hopper: It’s been a journey for me as an artist, and I’m grateful to be a part of this production.

[31:20] Antwayn Hopper: I think it’s going to be a memorable experience for everyone involved.

[31:30] Antwayn Hopper: I can’t wait to see how people respond to our interpretation of Macavity and the Jellicle Ball.

[31:40] Antwayn Hopper: It’s going to be a wild ride, and I’m thrilled to be a part of it.

[31:50] Antwayn Hopper: Thank you for having me on the podcast to share my thoughts about this incredible production.

[32:00] Antwayn Hopper: I hope everyone checks it out and enjoys the show as much as we’ve enjoyed creating it.

[32:10] Antwayn Hopper: You can find more information about the production and tickets at pacnyc.org.

[32:20] Antwayn Hopper: I’m looking forward to seeing you all at the Jellicle Ball!

[32:30] Antwayn Hopper: Thanks again for the opportunity to chat about my role and the show.

[32:38] Antwayn Hopper: It’s been a pleasure!

[32:48] Antwayn Hopper: I appreciate the support from the fans and the community.

[32:58] Antwayn Hopper: Let’s keep the conversation going about CATS and what it means to us.

[33:08] Antwayn Hopper: I think there’s so much to explore in this world, and I’m excited to be a part of it.

[33:18] Antwayn Hopper: Thank you!

[33:28] Antwayn Hopper: I hope to see you all at the show!

[33:38] Antwayn Hopper: It’s going to be a fantastic experience.

[33:48] Antwayn Hopper: Don’t miss it!

[33:58] Antwayn Hopper: See you at the Jellicle Ball!

[34:08] Antwayn Hopper: Thanks for listening!

[34:18] Antwayn Hopper: I can’t wait to share this journey with all of you.

[34:28] Antwayn Hopper: It’s going to be a memorable experience for everyone involved.

[34:38] Antwayn Hopper: I’m thrilled to be a part of this production.

[34:48] Antwayn Hopper: Thank you for having me!

[34:58] Antwayn Hopper: I appreciate the opportunity to share my thoughts.

[35:08] Antwayn Hopper: Let’s keep the conversation going about CATS and what it means to us.

[35:18] Antwayn Hopper: I think there’s so much to explore in this world, and I’m excited to be a part of it.

[35:28] Antwayn Hopper: Thank you!

[35:38] Antwayn Hopper: I hope to see you all at the show!

[35:48] Antwayn Hopper: It’s going to be a fantastic experience.

[35:58] Antwayn Hopper: Don’t miss it!

[36:08] Antwayn Hopper: See you at the Jellicle Ball!

[36:18] Antwayn Hopper: Thanks for listening!

[36:28] Antwayn Hopper: I can’t wait to share this journey with all of you.

[36:38] Antwayn Hopper: It’s going to be a memorable experience for everyone involved.

[36:48] Antwayn Hopper: I’m thrilled to be a part of this production.

[36:58] Antwayn Hopper: Thank you for having me!

[37:08] Antwayn Hopper: I appreciate the opportunity to share my thoughts.

[37:18] Antwayn Hopper: Let’s keep the conversation going about CATS and what it means to us.

[37:28] Antwayn Hopper: I think there’s so much to explore in this world, and I’m excited to be a part of it.

[37:38] Antwayn Hopper: Thank you!

[37:48] Antwayn Hopper: I hope to see you all at the show!

[37:58] Antwayn Hopper: It’s going to be a fantastic experience.