The act of creating is both a testament to and a full embodiment of its creator. An actor gives so much of themselves to the role that they’re playing; a dancer utilizes every muscle to express an emotion; a writer pulls from their own life and experiences to create other worlds and powerful stories. So, it is only natural that we often tie our own self-worth and meaning to the success or failure of that creation.
In this episode, I’m having a conversation with Emmy-winning director/choreographer Al Blackstone, who I had the pleasure of working with a few years back. He brings us three stories of doubt and uncertainty and aloneness, when his own talent as a dancer was questioned and his value as a director was dismissed. This is an honest conversation on who we really are beyond the labels of actor or artist and how the idea of “making it” comes more from ourselves than from the acceptance or validation of others.
This Week's Artist Spotlight
MOMEN NYC was born out the pandemic to meet the needs of dancers, who just needed the time and space to move again. Al co-founded MOMEN NYC as a way to bring adult dancers together so they could focus on their craft and make lasting connections with other dancers. He truly believes deeply in the power of dance, community, and kindness to express what is more true about ourselves and help bring us all closer together. Follow MOMEN on Instagram for the latest updates.
The Final Five Questions
For the past few seasons, the Final Five has been a bonus episode to this podcast, but for Season 6 it’s in the form of a blog post where guests answer the five final questions. You can find Al's Final Five on the WINMI Blog.
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Bonus Episode: Al talks about when he was at a dancer call years ago for the revival national tour of Sweet Charity and how he created Freddie Falls in Love that the NY Times thought it was"frothy" and "meandering production".
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Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.